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Amitesh Grover – Change and the Arts
The Changing Scenario of Visual and Performing Arts Practices
A communication tool since centuries, visual and performing arts has developed a very nice vocabulary of its own. Earlier it was the need to document and narrate stories that developed the art of painting which continues even today with varied forms. But now with the digital age that we live in, where cameras and phones can capture everything at the click of a button, the purpose of documentation is slowly getting erased. The visual vocabulary is looking at other mediums like the videos, installations and experiences, which are becoming more of a norm in the current scenario. The line between performance and the visual arts is slowly erasing. Interaction with architecture, science and engineering is being welcomed. A good example of it is the work of the Swiss artist, Pipilotti Rist ‘s “Nothing” at the Venice Biennale 1999, which depicts the philosophy of life in a mind boggling way! https://www.youtube.com/watch?v=BjXN49CwPZs
These days graphic presentation of data and its analysis converted to a pictorial script are the new examples of visual art! Tania Goel makes her own pigments and presents the data in a very nice visual imagery.
Art is moving out of the museum and the gallery space believes Ai wei wei. His most controversial project in New York is of 300 installations around the city, based around the concept of fences and borders, talks of the refugees’ issues and the hatred between people.
The biennales and festivals are bringing art into public forum giving an opportunity to the public to interact and interpret their way. Kochi Biennale is an apt example of involving the public in the arts space.
Talking of installations and performances, the artists create works from everyday objects, paper, metal, and paintings to photography, video and audio, to virtual reality and even live performances. Their focus is on the impact it has on the audience’s senses. When we talk of performances, the grandmother of performances, Marina Abramovic’s first bold performance’ Rhythm 0’ yet resonates in our minds.
Artists have been using ephemeral materials such as food, bodily fluids, and contemporary, yet constantly changing technological devices previously not intended for artistic use for ephemeral art. How do museums respond to it? What are curators and conservators to do when faced with a work that is meant to decay and deteriorate, or that has been destined to be consumed and constantly remade? Are the questions of today!
The socially and politically conscious works of artists like Sharmila Samant and Tushar Joag involves the public and the community closely. Tushar Joag’s Bombay Dowry is a political satire on the land mafias which he closely compares to the historical act of Bombay being ‘gifted’ by the Portuguese as dowry to Charles II of England when he got married to Catherine de Braganza.
Rajyashri Goody, the mixed-media artist uses found objects, thread, cloth and even people’s personal belongings, assembling them in a critical commentary on India’s segregation of people in society – the caste system and untouchability. Her installation ‘Skyscape’ involved 500 pairs of slippers and shoes, strung together and hung from the ceiling depicting a dark, looming cloud of discrimination. They were a metaphor for the untouchables’- the lowest of the lows coming from below the feet. Viewers were invited to step into this room. They responded in varied ways, but the overall feeling of suffocation, gloom, of being made to feel unclean was common. This was precisely the artist’s intention. Social activism is a clear theme in their work along with the exploration of identities and creating a sense of self among middle-class urban youth in today’s world.
All these changes are reflecting in the performing world too. Form the elaborate sets we have come to a lot of abstraction. Scripts are more inclusive and talk of LGBTQ and the socially oppressed communities. Theatres without words, out of the proscenium, old classics being adopted in contemporary terms, interactive performances, videos, are the new ways of the theatre.
All this is meant to start a discourse, a dialogue, a question in the mind of the viewers. It may not lead to an immediate problem solving, but a definite way to think of the world in a different way! Change may happen over a period of time.
This series of lectures is looking at this change in the visual and the performing arts within and outside India, by eminent curators, visual artists, theatre practitioners, combining with films, workshops and seminars to open our minds and broaden our horizons to the current trends in this field, making our society a more responsible thinking society.
Under the series of lectures, “Change and the Arts”, to conduct the second public talk on the 10th August 2019, Neekoee Foundation in collaboration with Ahmedabad University has invited Mr Amitesh Grover, a performance-based artist. Amitesh Grover studied Live & Digital Arts at the University of Arts London, UK. The speaker is such an artist who creates work between theatre, performance and interactive art. He has won several national and international awards and teaches at various universities including the National School of Drama (NSD, India). At present, he leads a course on Interactive Art (M.F.A.) at Shiv Nadar University. He is a visiting faculty at National Institute of Design, and School of Planning & Architecture. He is NSD alumnus and CWIT scholar.
His work has a strong orientation toward experiencing a radical form of proximity. He creates intimate art to explore the conditions of being near or close by. He has created work on grief, sleep, happiness, and several other ephemeral grounds of knowledge. He is a profound artist whose performance is presented to vivid art appreciating interdisciplinary audiences. He not only thinks but also challenges his spectators and pupils to think unconventionally. He has given various other lectures and talks like “Talk at Serendipity Arts Foundation”, “Talk at Apparao Galleries”, “Talk at Prameya Art Foundation”, “Talk about ‘Rehearsing Dystopia’”, “Talk at Presidency College & Jadavpur University, Kolkata”, and “Talk on Wet Futures at Indent Festival”.
His upcoming talk at Ahmedabad University is called “Against Theatre: Creative Disruptions Beyond Stage”. The adroit artist will be giving his valuable insights on how theatre is beyond the stage and extends to our society as a whole. He will also be sharing his practices as an artist with the audience and will reflect on his recent works. His works are widely appreciated and shown internationally at festivals and in theatres, galleries, public spaces, and on the internet. Focusing on the main purpose of the series, Mr Grover will be spreading awareness about performing arts and also his ways of execution of the same. We are eagerly looking forward to having this prolific artist at Ahmedabad University and being enlightened by his talk.
